Erikson needs a break, so goes to work

From the forums, an interesting message:

Hello everyone. I am writing this from a Blenz Cafe in North Vancouver. Tomorrow, early in the afternoon, I board a plane bound for Beijing, and then on to Ulan Bator. Why am I going to Mongolia? The thing with archaeology is one can never quite get it out of one’s blood. I am joining a US/Russian/Japanese/Mongolian expedition, for a five week dig. With luck, I’ll get a chance to do some riding once there, which is something I’ve wanted to do for years.

Now, before anyone panics regarding the timing of this, rest assured I do this in the best interests of the entire series in mind. Before I settle into writing the tenth and last novel, I need a period of time in which to take stock, review all that has gone before in the previous nine novels, and charge up the batteries. Five weeks in a primitive camp on the Asian steppes may not seem an ideal place in which to recharge, but for me it’s the perfect place. I return to the UK on the 21st of August, hopefully in time to do some promotion for Dust of Dreams.

Today I wandered the Malazan site for a time, reading many of your comments. Always nice to see such lively debate on countless topics. Thank you all for investing so much in the Malazan Book of the Fallen. I suspect that in the months to come, plenty will be hitting the fan with Dust of Dreams (if Bill and Hazel’s responses are anything to go by), and I will look in from time to time (though I found, with Toll the Hounds, that I would be wise to wait a month or two after launch. If precedent is anything to go by, responses mellow and opinions often reverse following the initial rush to comment: if I had taken to heart the predominantly negative reactions to Toll the Hounds in the days following its release, I might have been depressed for days. Curiously, this pattern seems pretty consistent, if I look back on the reactions to House of Chains, Midnight Tides, etc. As much as I meekly advise patience with my readers, so I must with myself). In any case, fare well for now.

Yours
Steven Erikson

Canada to the rescue (or The Stack of Doom)

So it was true, the Canadian market saves us from the continuous swapping of format of Erikson’s books and I now have book 1 to 8 all in the same mass market format.

I received today my order from amazon.ca with both Toll the Hounds and Return of the Crimson Guard, with the hope that two books left will stick with the format at least in Canada.

Absolutely nothing changes between the canadian, smaller version and the new bigger UK mass market. They have a different ISBN code and price in canadian dollars.

My precioussss…

(the first picture is Toll the Hounds in UK hardcover, UK mass mrket (paperback) and the new, shiny, beautifully fat canadian mass market)

P.S.
I know quality is horrid, but it was done with an ancient webcam and it really can’t get better than that. I’ll see if I can steal a camera from a friend these days… I like book porn.



First details about Dust of Dreams

Pat received the page proofs.

This is what we know to this point:

– The book is 889 pages long and so about the size of The Bonehunters (approximately 360k words).
– Official publication date is even earlier than expected: 17 August.
– The book comes with a note from Erikson warning readers that this is just the first part of a two-volume novel and that it doesn’t have the same structure of other novels.

I’ll update this post with more tidbits if Pat comments the book on the forums while he reads like he did for Toll the Hounds.

Okay, three chapters and 118 pages in, and that’s as far as I’ll go today.

Very good thus far. An underlying sense of doom pervades the narrative, and you know that the end is coming. Even though early in the game, there has already been a major surprise that I never really expected. Interestingly enough, although there are myriads storylines woven into this series, SE introduces us to additional characters and plotlines. This far in the series, they must be of capital importance, I guess.

That and what is likely the most important reading of the Deck of Dragons yet. . .

Good stuff! The pace was atrociously slow for about 2/3 of TtH, and if not for that spectacular ending the book would have tanked to a certain degree. Not so with DoD. You can feel that the build-up is almost over, and the shit is about to hit the fan in a way that will make past convergences look like a walk in the park.

More to come. . .


212 pages into it, 6 chapters down, and Book 1 done, and it’s still very good.

You know at the end of RG when Icarium entered his machine and we thought that nothing really happened. Well, something did. Something MAJOR. . .

While I’m not going to reveal which POVs are featured thus far, since a lot of you have asked I can say that the narrative is comprised of the usual suspects among the Malazans and the Letherii. A bit more interesting is the fact that we get to see the Shake, the Khundryl Burned Tears, the Perish Grey Helms, and more in the spotlight.

Good stuff, this!


Nine chapters and 316 pages in, and it’s still pretty damn good, though portions of this last chapter were a bit on the lame side. . . The banter and interaction between Malazan soldiers are kind of fun, but this story has bigger fish to fry, methinks.

We learn more about what Icarium’s machine did, and crap it’s HUGE! More K’Chain Che’Malle revelations, and glimpses of what the Errant is planning. More about the Barghast, the Shake,and two heretofore minor characters who seem to be destined to become power players.

Though this is the beginning of the end, so far DoD follows the same Malazan blueprint as the rest of the volumes in the series. I figure that the first two Books are the set-up, and then the shit will hit the fan.

There can never be too much shit, really. . .

I’ve stopped updating because Pat started to discuss more about the plot and less about opinions on the book. Here a post from Hetan:

There is a lot of set-up in this book as we have been told, which doesn’t mean to say there arent’ any OMFG moments because there are plenty of those and other surprises in it.
I’m not sure that Steve is even bothered about filling in what are considered plot holes or ommissions as it is clear he knows where his story is going and some of those side plots are simply that – stuff that happened – and the plot has moved on without any further explanation. But that is the nature of history.

I’m not going to comment much on the Crimson Guard and where it ties in as Steve sees DoD as Book one of the end rather than book 9 of a ten book series, therefore I’ve only read book one of two and it may be that there is more to come from that (crimson guard) side of things.

There’s quite a lot of background information on all sorts of things as Pat has said, The Shake, the Eleint, The K’Chain …. and some things that seemed minor at the time are now much more relevant than we had thought.

Books at my door – Late June

Best Served Cold – Joe Abercrombie – 534 pages
Big hardcover densely written. With 44 lines on the page it’s bigger than the page count would say. I had expected to find an actual map in the book, but the map is only on the cover and then segmented as background for the various chapters. The cover art and style in general is excellent but that thin pointy sword and coins on the page with map in the back make it look too much like a book about pirates, with treasure to dig somewhere.

There are many, many reviews on the internet already, all celebrating excellence, followed by forum posts saying it’s not all that good and so confirming it IS that good (forum dwellers enjoy to have contrasting opinions without motivating them). This is a standalone volume, a rarity in the genre. It is still set in the world of the previous trilogy and with some characters reappearing, but not requiring previous reads. Easily one of the very best of the year, Abercombie himself said on his blog that while the book didn’t come out easy it’s still the best he wrote to this point. This is particularly important because I consider this the first real proof he is a “writer”. Not only he surpassed in quality and productivity his rivals (Rothfuss and Scott Lynch, both stuck in their own success), but this is the first book that came out of his “job”. The First Law trilogy was something that he worked on for a long time, ideas and characters developed for many years. Here he demonstrates that he doesn’t have just one bullet to shoot and that he can command his art ;)

Return of the Crimson Guard Ian C. Esslemont – 1047 pages
In this case the new bigger mass market UK version, smaller than the page count would say since they continue this bad habit with Esslemont of using a huge typeset, 34 lines on the page. Comparable in actual size with Deadhouse Gates as you can see from my updated wordcount.

I have the suspect this isn’t the last edition of the book I buy, since there are rumors that Canada is publishing using the old mass market format and I’d like to have the whole series in the same format, along with the fact that I find the smaller version more fitting as well (since the typeset is already quite large and I like more concentrating in reading than turning pages).

In the meantime the real wait is for Dust of Dreams, rumored to be around 350k (so at least smaller than the last 3 volumes and matching Memories of Ice). Page proofs sent to Pat for a review, we can expect some comments in a week or so. I repeat this is extremely important because this book is the first part of the real conclusion of a 10 volumes long series. The moment of truth for many aspects.

A Magic of Twilight – S. L. Farrell – 574 pages
First volume of a tetralogy (I think) and written by one of Martin protegee. For how disrespectful and unfair it sounds this should be a “second tier” kind of fantasy even if from the few pages I read it may become a pleasant surprise. There’s an excess of fabricated words that you have to look in the glossary at the end of the book, justified by the attempt to do some worldbuilding inspired by Renaissance in Italy. A lot of those terms are derived from italian words slightly modified, so it sounds a bit silly but it’s not too distracting.

Four maps between city maps and surrounding, and a particular structure. As in Martin’s books each chapter has the name of the character having the PoV, but here these sections are short (5-6 pages or even less) and then bundled together in bigger chapters/sections that are meaningfully named (prelude, beginnings, harbingers, movements, encounters, maneuvers, endings, repercussions etc…). Maybe the very short PoVs will fragment the narration too much, but they also make the book more lively.

So you have this redone renaissance with a spark of magic and a plot that seems all focused in politics and scheming. All framed in a artsy simil-Venice. Rather fitting for those who love Martin.

Canti del Caos – Antonio Moresco – 1070 pages
You don’t know about this book because it’s italian and I don’t think it will be exported anytime soon (and it would also be quite hard to translate). 15 years to come out in its completed form, it’s a monumental work whose ambition tops everything else that is Literature. This is one writer we have in Italy completely dedicated to literature, living for literature. Heavily experimental, mixing all known genres together and lacking a “plot” or normal flow. It’s chaos made into words, delirious and ruthless, without imitations. It is considered a world-book, many different stories contained into it, mixing together impossible characters and situations. Loved, hated, surely pretentious.

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Bauchelain and Korbal Broach – September in Trade Paperback

I’m rather impressed, this is the first cover for a book by Steven Erikson that Tor publishes and that doesn’t suck. Beside the horrible green used in the name, the image is a rather faithful representation of awesome duo (minus the manservant, the real protagonist).

The book, till now only available in limited hardcover, is going to be published in September by Tor for the american market, trade paperback only. It collects all the three novellas Erikson wrote, probably in their story order, but not in publishing order (The Healthy Dead was written after the first, but comes third in reading order). Erikson has already the contract to write three more as soon he finds the time.

Maybe more people will read what I consider Erikson’s masterpiece and, without a doubt, the very best thing I ever read in fantasy and sci-fi. This book is my all time favorite (even if the first novella can’t reach the awesomeness of the other two).

The summary on the Tor page is also quite fitting for what’s written in the book.

Return of the Crimson Guard – Out in Mass Market (UK)

Return of the Crimson Guard, second book by Esslemont and suggested read after The Bonehunters or Reaper’s Gale, is out in mass market format in UK and available at the usual places. (amazon.co.uk and bookdepository)

Even for this version they are going to use the slightly larger format they started to use with the MM version of Toll the Hounds. Sadly.

The real question is whether it will contain the prologue form Stonewieleder or not. The MM version of Night of Knives had the prologue and a few pages of the first chapter of RotCG, but Esslemont had already completed the book, while we don’t have any news about when the next book should come out.

In the meantime the wait for Dust of Dreams continues. It should be out by the end of August and in a couple of weeks the first reviews should come out. The moment of truth.

Colours in the Steel – K.J. Parker

Instead of sticking to a series and read every volume before I move onto something else I try to cover as many authors I can, so that I can have a better idea of the fantasy genre as it is today. The mysterious K.J. Parker isn’t one who gets as much attention as other, more popular writers, but in comments and reviews I read she (we assume it’s a she, but the true identity is unknown and name used just an invention, being mysterious like that) has a very good reputation and more than once caught my attention. Especially when Pat posted an excerpt from a recent book that I thought was brilliant. I made a mental note to buy that book when it came out (a standalone), but sooner than that I read some more comment of an earlier trilogy she wrote (The Fencer Trilogy) whose first book was a detailed and realistic description of a siege to a city, down to the smallest details.

The siege and a lot more I found in the 500 pages of the book. I’m not one to have prejudices, but thinking that the writer may be a woman couldn’t be more misleading. There’s a constant in her writing that I read is common to all her books, and it is the cynicism. This is a story that is always told from a detached point of view. Surgical. It’s like a screen that filters and separates the one who tells the story and what goes on in it. You are, in reading and sharing the seat occupied by the writer, an observer. This is a displacement that is always present. But the cold, detached point of view is perfectly balanced and matched with a sense of humor that makes the writing always interesting.

It’s easy to be mislead by the premises. Along with the cynicism there’s also an obsession with the technical details. At times the book stops to be a story and becomes a technical manual about how to build siege engines and other tools of war. It explains the materials, how they are chosen, how they are treated, all the steps that are required up to the final output. Then explains you how to use them. Whether it is about fencing or how to properly plan the siege to a mythical high-walled city that is the theme of this book. One would assume that a read couldn’t be more boring and I imagine you thinking right now of reading this book and falling asleep after two paragraphs. Instead it’s surprisingly compelling and it’s all merit of the writing itself.

As odd it may sound, this is a character-driven book. None of the characters stand out as memorable. There isn’t any way to quickly describe them and the reason is that they aren’t stereotypes. This is far from a typical fantasy novel and more alike to an historical fiction that isn’t historical simply because the setting isn’t real. But it is real in every element that forms it. An imagined story whose aspects are meticulously researched. The same treatment that goes in the setting goes in the characters. We don’t have key-roles or striking, recognizable characters. We have normal people, defined even here with attention to the detail. They are part of their world down to their mentality. If I had to make an example I’d use Richard Morgan. If in Richard Morgan you have a fantasy written through a modern eye (like we see in the dialogues), here we observe characters that truly live in the book and are shaped by what’s around them. With plenty of natural blind spots.

The execution is excellent. You can’t avoid to admire what the writer did here. The way she can transform potentially boring parts in pages that you can’t stop reading. What is up-to-date is the point of view, the writing itself and cleverness, even wisdom, disillusion. Cynicism again. Black humor. Sometime you feel like you are observing one wicked experiment where guinea pigs struggle and die in the most cynical ways. That detachment between what we know as people of our time, opposed to a medieval world with all its simplicities. You can see what is coming and it produces a wicked sense of humor since you aren’t there, you are observing how people are stupid, or just victims of their time. Victims of simple beliefs. Or just victims in general because no one can really control anything.

There are no winners. There’s also a kind of predestination that is bound with the idea of progress. The medieval world is allegory of “change”. Of science versus beliefs. One day before the age of enlightenment. Parker here is the innate, perfect writer for the task. In the same way there’s this dualism of modernism and pre-modernism, the writer incarnates the perfect match and dualism of the soulless meticulous technical detail and the sense of humor and originality that ties everything together. Art and tech. Enhanced with an air of magic that exist in the book, but that is another allegory of itself. Not a showy, controllable magic. Not fireballs, invisibility, flight or other useful uses. Not devices and desires. But an hopeless fight against destiny and its whims. Trapped guinea pigs that can only believe the illusion in front of the eyes and that are fated to be victims. Humorous tragedies of life that you enjoy only till you understand that the huge distance between you and them is an illusion too.

Don’t expect from this book a story with heroes, spectacular battles or even complex political intrigue or power struggle. Don’t expect escapism or identification. This book needs brain and is great when you admire its cleverness in all its aspects. It has none of the trappings that appeal to younger readers, none of the immediate appeal and satisfaction. It is infinitely more subtle but also more satisfying. In any case this is an original voice that is precious in the genre. The flaw is that she wrote many books and, while investigating many different aspects and improving in what she does best, they all play with similar tones. But if you want to explore human genius and despair at once, this is the best journey.

P.S.
First volume in a trilogy, but the ending is so satisfying that you can take this as a standalone. The choice to move on the next books is on the reader more than forced by the plot.

Steven Erikson VS Charles Dickens

Some time ago there were flames on the forums after some people continued to compare the Malazan series to Dragonlance. I started to explain that if Erikson wasn’t original it wasn’t because he copied Dragonlance, but because the idea of the Ascendants came right from Glen Cook’s “Taken”, and, before that, from greek mythology with all its meddling gods with humanized flaws.

Nothing is truly originally, especially in fiction. Everything is influenced by what was before. Literary genres are still the same, we play with the same narrative structures, the same tricks. Creativity isn’t about shaping alien concepts. It is about molding what we know into something clever or moving or sincere or authentic or spectacular.

I posted a short quote from a character in Dickens’ novel. It got my attention somehow. Now I know why.

That character is the exact copy of Erikson’s Kruppe. From the physical description to the style of dialogue it is a faithful representation. This is interesting because I used to read that Kruppe was a character that Erikson borrowed right from one of the later books in the Black Company series.

How amusing to have another proof that you can never pinpoint the origin of ideas, even when they seem so obvious.

Dickens:

Mr. Chadband is a large yellow man with a fat smile and a general appearance of having a good deal of train oil in his system. Mr. Chadband moves softly and cumbrously, not unlike a bear who has been taught to walk upright. He is very much embarrassed about the arms, as if they were inconvenient to him and he wanted to grovel, is very much in a perspiration about the head, and never speaks without first putting up his great hand, as delivering a token to his hearers that he is going to edify them.

“My friends,” says he, “what is this which we now behold as being spread before us? Refreshment. Do we need refreshment then, my friends? We do. And why do we need refreshment, my friends? Because we are but mortal, because we are but sinful, because we are but of the earth, because we are not of the air. Can we fly, my friends? We cannot. Why can we not fly, my friends?”

Mr. Snagsby, presuming on the success of his last point, ventures to observe in a cheerful and rather knowing tone, “No wings.” But is immediately frowned down by Mrs. Snagsby.

“I say, my friends,” pursues Mr. Chadband, utterly rejecting and obliterating Mr. Snagsby’s suggestion, “why can we not fly? Is it because we are calculated to walk? It is. Could we walk, my friends, without strength? We could not. What should we do without strength, my friends? Our legs would refuse to bear us, our knees would double up, our ankles would turn over, and we should come to the ground. Then from whence, my friends, in a human point of view, do we derive the strength that is necessary to our limbs? Is it,” says Chadband, glancing over the table, “from bread in various forms, from butter which is churned from the milk which is yielded unto us by the cow, from the eggs which are laid by the fowl, from ham, from tongue, from sausage, and from such like? It is. Then let us partake of the good things which are set before us!”

The persecutors denied that there was any particular gift in Mr. Chadband’s piling verbose flights of stairs, one upon another, after this fashion.

Erikson:

The slippered foot probed daintily downward, wavering until it touched ground. A rather plump calf, knee and thigh followed. The short, round man who emerged was wearing silks of every colour, the effect one of clashing discord. A shimmering, crimson handkerchief was clutched in one pudgy hand, rising to dab a glittering forehead. Both feet finally on the ground, the Daru loosed a loud sigh. ‘Burn’s fiery heart, but it’s hot!’

The short, round man blinked myopically, mopped his brow once again, then beamed a smile. ‘Representative of the City of Darujhistan? Indeed! None better, Kruppe says, though he be a lowly citizen, a curious commoner come to cast kindly eyes upon this momentous occasion! Kruppe is suitably honoured by your formal, nay, respectful welcome – what vast display, Kruppe wonders, will you formidable warriors unveil when greeting the Council of Darujhistan’s official representatives? The sheer escalation now imminent has Kruppe’s heart all apatter with anticipation! Look on, to the south – the councillors’ carriage even now approaches!’

Kruppe was the first to lower himself into a chair – at the head of the makeshift table. He held a tankard and a handful of Rhivi sweetcakes. ‘Such rustic environs!’ he sighed, round face flushed with pleasure. ‘And traditional pastries of the plains to lure the palate. More, this ale is most delicious, perfectly cooled—’

He offered everyone a broad, crumb-flecked smile. ‘But please, let us get under way lest this meeting stretch on, forcing the delivery of a sumptuous supper replete with the dryest of wines to whet the gullet and such a selection of sweets as to leave Kruppe groaning in fullest pleasure!’

Let us partake of the good things which are set before us

Just a quote from Dickens’ Bleak House (it’s longer but I decided to cut it). Here it goes:

‘My friends,’ says Chadband, ‘what is this which we now behold as being spread before us? Refreshment. Do we need refreshment then, my friends? We do. And why do we need refreshment, my friends? Because we are but mortal, because we are but sinful, because we are but of the earth, because we are not of the air. Can we fly, my friends? We cannot. Why can we not fly, my friends?’

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